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Ground Truthing

Reisig and Taylor Contemporary is presenting Ground Truthing, a solo exhibition by Kim Zumpfe (with the projected multimedia work “GroundTruthing.Schrapnel” made in collaboration with Luke Quezada). This is Zumpfe’s first exhibition with the gallery. Ground Truthing is on view in Los Angeles from May 23 – June 27, 2026. Testing, testing: What is targeted by […]

Molten

“Molten”, the new solo exhibition by Céline Mathieu at Kunstverein für Mecklenburg und Vorpommern in Schwerin, considers what is already there and what is brought in, as a living infrastructure, which can resist, capacitate, and induce. Material from former exhibitions at Kunsthall Trondheim (NO) and Kunstverein Harburger Bahnhof (DE), find their way into this one, […]

Boy With Thorn

Open Thursday through Sunday 10am – 4pm Boy With Thorn is the inspection of a nagging pain, the moment of pause in search of relief. In the show’s initial reference, Spinario (a Greco-Roman Hellenistic bronze predating the 1160s) a young boy is sat on a stump, bent over, withdrawing a thorn from his heel. The […]

Cora Pongracz “8 erweiterte portraits” with: Marietta Mavrokordatou

The second dialogical presentation expands Cora Pongracz’s series and exhibition of the same name, “8 erweiterte portraits”, with works by Cypriot artist Marietta Mavrokordatou, which complement Cora Pongracz’s media-reflective and expanded understanding of portraiture and identity with the dimension of embodied and situated experience. Drawing on a phenomenological understanding of vision, Mavrokordatou repeatedly uses the […]

Test Time

Under the title Test Time, Kunstverein Bielefeld presents a survey of works by the artist collective Hedda Roman, specifically conceived for the institution. Running from August 30 to November 9, 2025, the show unfolds as a poetic-scientific experiment that explores the relationship between human consciousness and machine learning, while also reflecting on experiences of time. […]

Staged

Deep, Fake. Staged begins with the end of Kurt Cobain (specifically the 1991 album Nevermind), and starts with a drained, looping reality this “popular” and “rebellious” figure of the anti-rockstar leaves behind. Or sets into motion. “All of our” actions flattened along the warp-speed disappearing act of any possible dissent: <>* (The revolution is televised. […]

Speakers for the dead

Speakers for the dead [Palabreras de la muerte] explores possible ways of resurrecting people considered dead or missing. By placing themselves “in between” the living and the dead, the speakers show us that remembering is not only an exercise in memory, but also an action that involves a creative gesture: inventing, tracing a story and […]

Prattle Paintings

That’s what wealth is, he realized: To live in a house where all the tools of living are out of sight. (O.Vuong) What would be more explanation than my frazzled nerves. I see the pics now on the phone. First one, right in the hallway. Where is the focus? Is there? I stretch. The cup […]

Step 3. ????

Most times I just sit here and watch the birds. It’s mostly chickens, right here in the coop, but over there behind the willow, I’ve seen storks and there’s robins that walk around. Plenty robins. Time passes slowly here, you could almost hear it. Yes, it reminds you of that novel, Catch-22, but it’s not […]

Subterfuge

In an age where conspiracy theories and technological paranoia permeate discourse, the boundary between justified concern and irrational fear grows increasingly blurred. These three artists probe this territory by presenting works that embody mechanisms of deception and surveillance. Melle Nieling constructs an elaborate fiction around a film that never existed, crafting its material traces, such […]